Showing posts with label Richard Dreyfuss. Show all posts
Showing posts with label Richard Dreyfuss. Show all posts

Monday, April 26, 2010

A political comedy that was dated on release

Silver City (2004)
Starring: Danny Huston, Chris Cooper, Richard Dreyfuss, Maria Bello, Daryl Hannah, and Billy Zane
Director: John Sayles
Rating: Three of Ten Stars

A press opportunity and campaign commercial shoot for dimwitted gubernatorial candidate Dickie Pilager (Cooper) is disrupted when a dead body is discovered. Take-no-prisoners campaign manager Chuck Raven (Dreyfuss) hires burned-out-reporter turned private detective Danny O'Brien (Huston) to investigage possible links between the Pilager family and the corpse so he can institute damage control if he needs to. O'Brien uncovers far more than anyone had expected, and he drawn into a high-stakes political conspiracy involving billion dollar real estate development deals and illegal alien smuggling.


That summary of "Silver City" maikes it sound far more interesting than it is. This 2004 movie is so heavy-handed in its political messages (Republicans/Conservaitves ALL bad and evil and corrupt and stupid, Democrats/Liberals ALL good and pure and civic-minded and brilliant); the satire not even approaching clever or insightful, but merely recycled George Bush jokes that were old in 2001; and the mystery that Danny O'Brien investigates is drap and ultimately of a "so what"? variety. (But, it mostly becomes that due to the unrelenting, hackneyed political screeds that passes for the script and plot in this piece of junk.)

This is a film that was stale and dated when it was released in September of 2004, and it's only gotten more-so as George W. Bush's presidency slips away into history. Who could have guessed that so many talented actors could be so blinded by their politics so as to not recognize this film for a piece of garbage when they read the script?

This could have been a decent political thriller with satirical overtones if it hadn't been helmed by what I can only assume are a bunch of frothing fanatics. "Silver City" is the political equivilant of a third-rate drama airing late at night that Christian cable channel--if you're a True Believer, you'll think it's thrilling and funny. If you're even the least bit able to see that politics and politicians is far from a black and white game, and that no one rises to the top by being an idiot, and that no one is pure evil or pure sweetness and light, you will find this film to be a total waste of your time.

The only positive thing I can say about "Silver City" is that the cast all turn in excellent performances. I particuarly enjoyed Danny Huston, Billy Zane, and Daryl Hannah. I might even have liked Chris Cooper if his character had been just a tad more original and better written... but he did what he could with the unfunny crap he was working with.

I think the many glowing and fawning reviews this movie--which stinks worse than the corpse that ruins Dickie Pilager's film shoot--can be used as evidence for right-wingers who like to cry about liberal media bias. Only someone who is so severely brainwashed they're a mind-numbed robot could give this film anything approximating a positive review.



Sunday, February 21, 2010

The mystery of Cletis Tout solved

Who Is Cletis Tout? (2002)
Starring: Christian Slater, Tim Allen, Portia de Rossi, and Richard Dreyfuss
Director: Chris Ver Weil
Rating: Six of Ten Stars

Master forger Finch (Slater) has made his good his escape from prison, he's got a lead on a hidden stash of diamonds from his partner (Dreyfuss) and his daughter (de Rossi), but there's just one problem. Finch has stolen the identity of a man the mob wants dead, and now they're after him. Can Finch convince hit man Critical Jim (Allen) that he is not who he said he was in time to get the diamonds, the girl, and give the movie a happy ending?


"Who Is Cletis Tout?" is a charming, if forgettable, comedic crime caper. It takes all the standard elements of a film noir drama--a jewel heist, a prison break, mistaken identities, bloodthirsty mobsters, coldblooded hit men, an alluring femme fatale--and turns them all a bit sideways. It all comes together in a pleasing package, but nothing really ever 'wows' the viewer. There are some chuckles, but no real laughs, and the only tension that the movie ever really generates comes at the very end.

Still, the movie is fast-paced and the actors all give great performances. Tim Allen in particular shines as a quirky hit man who is such a movie buff that he strives to shape his life (and when possible, the lives of those around him) into the form a movie. I might even say that it's Allen's character that makes this movie worth watching. His commentary to Finch on the current sorry state of movie making is also dead-on, particularly his lament that most modern movies lack a third act.

(As I post this review, "Who Is Cletis Tout?" is out of print, but it is available for rent from Netflix and other outlets.)