'Medusa' is a twisted crime drama full of quirky characters

Medusa (1973)
Starring: George Hamilton, Luciana Paluzzi, Cameron Mitchell, Theodor Rambow, and Takis Kavouras
Direector: Gordon Hessler
Rating: Six of Ten Stars

Jeffrey (Hamilton) is a drunken playboy living in Greece and whooping it up like the quintessential Ugly American. However, when word gets out that a last minute change to their father's will might leave Jeffrey and Sarah penniless, Jeffrey's life takes a turn for the serious, as a local mobbed-up casino owner (Mitchell) starts squeezing him to settle his $170K+ debts, and a mysterious strangler starts following him around, killing everyone connected with the rumored will. Is this masked killer real, or simply a figment Jeffrey's cracked mind?


"Medusa" is an offbeat crime drama that, despite an excess of padding in the form of Greeks singing, dancing, throwing plates, and otherwise behaving as though they're in an "Official Production of the Greek Travel and Tourism Department," is a fun and entertaining ride. Its populated by quirky characters, many of whom have an almost classic film-noir sense about them, such as the omni-present, nameless homicide detective (Kavouras) and Mitchell's health-nut gangster. In fact, I think Mitchell may well give the best performance of his career in this film.

Hamilton also gives the best performance I think I've ever seen from him--and while that may sound like I'm damning with faint praise, I'm not. I've always seen him as a comedic actor, and while he certainly plays a goofball here, he plays a dangerous, crazy goofball... and the menace oozes from his glittering smile when the scene calls for it.

In fact, this film was good enough that I almost feel inclined to forgive Gordon Hessler for the awful piece of crap that was "Scream and Scream Again".

'Haunts' is an interesting misfire

Haunts (aka "The Veil") (1977)
Starring: May Britt, Cameron Mitchell, and Aldo Ray
Director: Herb Free
Rating: Four of Ten Stars

A young woman (Britt) haunted by dark memories is stalked by a murdering rapist, or is she? The town sheriff (Aldo) thinks she's being hysterical... and just what is it her slovenly uncle (Mitchell) doing with his nights?


"Haunts" is a thriller that attempts to use a mentally unbalanced character to provide the narrative Point of View for the film. It's a clever and laudable idea, but it's not one that the director and writer (one and the same, at least with a co-writing credit on the script) were up to pulling off. The film is a bit too slow in unfolding, and what could have been a truly powerful ending (with some chilling realizations dawning on the part of the attentive viewers) is weakened by it likewise going on for a tad too long and by a last-minute attempt at throwing a possibility of something supernatural into a straight thriller. Once again, we have an ending that's ruined by filmmakers who just didn't know when to quit.

With some judicious editing, this film could actually be quite good, and it's one I wish I liked more. There's alot of misspent potential here, and all the three leads do such a good job that the void of talent embodied by some of the supporting cast is almost not noticeable. (In fact, a scene in a bar featuring two of these talentless actors could be cut almost entirely, and the film would immediately get stronger in several ways--the mystery of the killer's ID would be heightened, and we'd have lost some of the more noxious flab dangling from the work's body.

'Death Rage' is a film to remain calm about

Death Rage (aka "Anger In His Eyes") (1976)
Starring: Yul Brynner, Martin Balsam, Barbara Bouchet, and Massimo Ranieri
Director: Anthony M. Dawson
Rating: Five of Ten Stars

A New York hitman (Brynner) suffering from intermittent hysterical blindness travels to Italy in order to assassinate the Mafia boss who murdered his brother. On his way to hit, he's in car-chases and running gunbattles, meets the love of his life (Bouchet), outsmarts a police inspector (Balsam), and finds himself a loyal apprentice hitman (Ranieri) to whom he can pass along his "wisdom".


"Death Rage" is a slightly chaotic crime drama with a heavy emphasis on the drama. I don't think I've seen so many seasoned actors seemingly playing to the back rows of the local community theater auditorium... and I'm astonished that Yul Brynner didn't burst something while working on this film; I don't think such consistent and dedicated overacting has been recorded anywhere else in the annals of film history.

Perhaps the actors are all laboring so mightily because they are trying to compensate for the fact that there isn't a character in this movie who wasn't a tired cliche even before the 1970s dawned, and that they realize the script really brings nothing new or innovative to crime dramas or mob movies.

This film isn't exactly bad... just bland and generic. I thnk lovers of All Things Mafia might get a kick out of it. Similarly, those who haven't seen many films of the "gun-slinger takes on one last job" sub-genre might enjoy it. The rest of us, though, can probably safely skip this one.