'The Prestige' is a tale of trickery and obsession

The Prestige (2006)
Starring: Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johannson, David Bowie, and Piper Perabo
Director: Christopher Nolan
Rating: Eight of Ten Stars

From the time that they first met as young magicians on the rise, Robert Angier (Jackman) and Alfred Borden (Bale) were competitors. However, their friendly competition evolves into a bitter rivalry making them fierce enemies-for-life. When Borden invents what seems to be the ultimate magic trick, Angier embarks on an obsessive quest to find its secret, over the advice of his longtime associate Cutter (Caine). Eventually, he finds his way to Nikola Tesla (Bowie) and discovers the means to best his rival once and for all.


"The Prestige" is a brilliantly constructed movie that manages to tell its story in flashbacks nestled in flashbacks within flashbacks, yet the viewer never loses track of what is going on in the film. It also manages to present a cast of characters that both seem intimately familiar to the viewer as the film progresses, and who turn out to be very different than what we thought when their secrets are revealed, while evoking the sense of the late 19th century music hall circuit and the intense competiton that existed between performers for bookings.

Although the film exists mostly within the realm of the realistic, it is at its best when it introduces the weird science of Nikola Tesla--and the fantastic and twisted applications it is put to in persuit of creating the ultimate illusion. In fact, one of the film's "big reveals" that make up the climax is so twisted, and the nature of Tesla's wonder-tech so strange that I almost put this review in Terror Titans instead of here. Ultimately, though, I think it fits mostly in the mystery movie category, even if it almost defies classification.

'Insomnia' is worth staying awake for

Insomnia (2002)
Starring: Al Pacino, Robin Williams, and Hillary Swank
Director: Chrstopher Nolan
Rating: Six of Ten Stars

In "Insomnia", a big city cop (Pacino) travels to a remote hamlet in Alaska to help solve the brutal rape and murder of a teenaged girl, and to avoid a brewing corruption scandal at home. While his mental state slowly deteriorates due to an inability to sleep in the eternal daylight above the Arctic Circle, he finds himself in a bizarre relationship of mutual blackmailing with the murderer (Williams) while the town's young deputy sheriff (Swank) slowly puts the puzzle together and closes in on both of them.


"Insomnia" is an American remake of a Scandinavian film by the same title, and, unlike the seemingly endless stream of remakes of recent Japanese and Chinese films that are all worse than the originals, this film stands up nicely in comparison. It's a tad too slow--the middle sags almost as bad as the Pacino character on this fourth or fifth day without any real sleep--but the actors are all great in their parts, the script is generally well-crafted, the setting is used to its full potential, and the ending is perfect.

I think people who enjoy thrillers will be happy staying up late to watch "Insomina".

'Batman Begins' is a great new start

Batman Begins (2005)
Starring: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Cillian Murphy, and Gary Oldman
Director: Christopher Nolan
Rating: Nine of Ten Stars

Bruce Wayne (Bale) returns to Gotham City after spending several years under the tutalage of Henri Ducat (Neeson), a member of an order of martial artists that claim to be devoted destruction of corruption and criminals using any available means. Wayne proceeds to put the skills he has learned, his family fortune, and his access to the applied sciences department of the family company to create Batman, a second identity through which he hopes to avenge the murder of his parents and bring law and justice to corrupt Gotham. Aided by the faithful family butler, Alfred (Caine) and one of the few honest cops in the city, Jim Gordon (Oldman), Batman takes on the powerful Falcone crime syndicate and a strange plot being orchestrated by Dr. Jonathan Crane of Arkham Asylum (Murphy).


I avoided seeing this movie for a long time, because it's been at least ten years since I've read an issue of the monthly "Batman" comic I liked (some of the graphic novels and spin-off miniseries have been spectacular, but the core titles have not been anywhere near to the Batman stories I enjoy) and because other Batman movies from the last 20 or so years have been beyond bad. I was also afraid that this movie might be as drab as the "Batman: Year One" story from Frank Miller.

I am glad that I finally decided to heed the rave reviews of friends and take a look at it. It's an excellent chronicle of Bruce Wayne's start as Batman that manages to incorporate some of Batman's most terrifying foes in a sensible way--R'as Al-Guhl and the Scarecrow--and weaves an excellent thread about the power of fear through the film. The use and portrayal of Jim Gordon is in line with how the character has been used in comics like "Gordon of Gotham" and even "Batman: Year One" (Gordon's portrayal was one of the better aspects of that storyline). The treatment of Alfred was also excellent, and it was great to see Lucius Fox (played by Morgan Freeman) make an big-screen appearance. And then there's the Batmobile; the one in this movie has got to be the funkiest, funnest Batmobile that will ever appear on screen!

The acting was great all around, although I think Cillian Murphy was somewhat miscast as Jonathan Crane, because he's too young for the part; his performance was otherwise excellent. (I wonder if Oldman might not have made a better Crane, despite the fact he was a fine Jim Gordon.)

Finally, Gotham City looked better than it has any of the previous Batman movies; it actually seemed like a real city instead of a movie set or a model.

"Batman Begins" is a great action flick and perhaps the best screen adaptation of Batman so far. It stays loyal to the best aspects of the comic books while telling a unique story.