Showing posts with label Herbert Lom. Show all posts
Showing posts with label Herbert Lom. Show all posts

Saturday, July 31, 2010

'A Shot in the Dark' is best Pink Panther film

A Shot in the Dark (1964)
Starring: Peter Sellars, Elke Sommer, George Sanders, Herbert Lom, and Burt Kwouk
Director: Blake Edwards
Rating: Eight of Ten Stars

When a murder takes place at the home of the rich and powerful Mr. Ballon (Sanders), the worst police detective in France, Inspector Clouseau (Sellars), is accidentally assigned to the case. He immediately ignores the most obvious suspect--the beautiful, curvecious blonde maid Marie (Sommer), who was found with the murder weapon in her hand--and continues to let his hormones guide him instead of the clues even as more bodies pile up around her.


"A Shot in the Dark" is the second movie in the "Pink Panther" series, but the first film where the formula, supporting cast, and wild slapstick antics of Sellers' Clouseau character that will become the hallmark of the series are fully present. Although often overlooked by fans of the "Pink Panther" series due to the unusual title, " it is also the very best of the entries.

Sellers is amazingly hilarious as Clouseau, and the routines he performs here are among the funniest of the entire series--only the battles between Clouseau and his overzealous man-servant and martial arts sparring partner Kato will leave viewers in stitches. The film is made all the more amusing by the fact that it not only serves as an outlet for Sellers' antics, but that is also works as a spoof of the traditional murder mystery, complete with a screwball "drawing room revelation" scene).

Typically when reviewing this film, one cites the billiards scene or the nudist colony scene (both of which are top-notch examples of Sellers' comic genius), but my favorite part of the entire movie remains the opening sequence, where we view the outside of a large house, and through the windows see a host of characters sneaking from room to room (and from bed to bed), turning the lights on and off... until we hear gunfire and the screen goes black.

This opening is both funny and engaging, and it is one of the best title sequences of any movie I've seen. The Henry Mancini-penned song "Shadows of Paris" underscores its the mood perfectly, particularly in the light of what follows.

This is a film that lovers of well-made comedies and spoofs should get lots of kicks out of.



Saturday, March 20, 2010

'The Ladykillers' will slay you


The Ladykillers (1955)

Starring: Alec Guinness, Katie Johnson, Herbert Lom, Danny Green, Peter Sellers, Cecil Parker, and Jack Warner
Director: Alexander Mackendrick
Rating: Eight of Ten Stars

The criminal mastermind nicknamed "the Professor" (Guinness) concocts the perfect robbery and perfect get-away plan. He had every angle covered... except for the X-factor of Mrs. Wilberforce (Johnson), a sweet little old lady whom he had cast as an unknowing accomplice, but whose sense of right and wrong and force of will proves to be more than a match for the Professor and his gang of cutthroats.


"The Ladykillers" is a comedy that's very simple in concept--five robbers struggle to avoid discovery and capture when their unwitting dupe becomes wise to their true activities--but its execution is so deft and so clever, and its cast so skilled at their craft that the film ends up as one of the funniest and most unpredictable crime comedies ever filmed.

Some of the humor arises from the fact that a gang of hardbitten criminals get squemish when it comes to harming a little old lady and that she is able to shame them into cooperating with her. However, much more comes from a constant stream of multi-layered sight gags and repeated reversals of audience expectations.

It's no surprise that the Professor and his gang ultimately fail in their dastardly schemes, but even this expected finale ends up being presented with a couple unexpected twists.

With a brilliant script, some very nice photography that takes full advantage of the setting around and atop King's Cross Station, and top-notch performances from a cast of truly great actors--with the interplay Alec Guinnes and Katie Johnson, and Guiness and Herbert Lom being particularly effective and funny--"The Ladykillers" stands as one of the greatest British comedies ever put on film.