Sherlock Sunday: Holmes Faces Death

Sherlock Holmes Faces Death (1943)
Starring: Basil Rathbone, Nigel Bruce, Arthur Margetson, Hillary Brooke, and Dennis Hoey
Director: Roy William Neill
Rating: Seven of Ten Stars

Sherlock Holmes (Rathbone) is summoned to the country by his friend Dr. Watson (Bruce) to solve discover the secrets behind a series of murders at a convalesce home for injured military officers.




The fourth installment of Universal Pictures' "modern day" adventures of Sherlock Holmes is a loose adaptation of Doyle's story "The Musgrave Ritual." It's an effective update of the tale, and it's perhaps the most thrilling of the Universal Holmes I've seem so far. It's certainly the darkest, as it continues to deal with the contemporary (for when the film was made) issues of World War 2. This time, it deals with homefront issues, such as caring for soldiers who return from battle not just with physical injuries but mental damage as well. It's one aspect of the film that gives it staying-power and that makes it just as relevant today as six decades ago.

The film is especially effective in the way it creates the ending. It gives viewers a real sense that Holmes has outsmarted himself for once and that the clever trap he lays to get the otherwise untouchable killer to reveal himself turns into a death trap for Holmes himself. It's a very well-done twist to the story, and twice-welcomed due to the fact that Holmes' bait and trap are so cliched that I feared for what was going to come next when it showed up in the film.

Also worth noting is that the idiotic hairstyle that Holmes sported in the first few movies in this series is gone. The treatment of Watson and other characters is also notably more respectful by Holmes in this film than in several other entries in the picture. Yes, he puts Lestrade down when he's being a bonehead, but he shows more respect for Watson than is average for the series and he doesn't seem like he's constantly trying to prove how superior he is to everyone around him.

Sherlock Sunday: Holmes vs. Nazi Spies in America

Sherlock Holmes in Washington (1943)
Starring: Basil Rathbone, Nigel Bruce, Marjorie Lord, Henry Daniell and George Zucco
Director: Roy William Neill
Rating: Eight of Ten Stars

When a British secret agent vanishes while on a mission to Washington, D.C., the British government sends Sherlock Holmes and Dr. Watson (Rathbone and Bruce) to the United States to uncover what happened to him and to learn if valuable secrets have fallen into the hands of the Nazis.


"Sherlock Holmes in Washington" is the final and best of the Universal "Holmes vs. the Nazis" trilogy of films. It features a well-crafted and suspenseful plot that takes full advantage both of Holmes' legendary deductive powers as well as the modern (early 1940s) setting, with the mystery revolving around missing documents that unbeknownst to heroes and villains alike have been duplicated on microfilm and hidden inside a matchbook that is then passed from character to character and almost lost for good on more than one occassion. The fact that the audience knows exactly where the documents everyone is looking for adds greatly to the suspense (and fun) of the film as it unfolds.

In addition to its expertly constructed plot, the film also features well-written dialogue that is delivered by a cast that are all at the top of their game. Rathbone's Holmes is the best I've ever seen itm Bruce's Watson is comedic but not annoyingly dimwitted, and Daniell and Zucco are excellent as the Nazi secret agents. From the film's opening scenes to the closing anti-fascism remarks from Holmes, this is a film that provides top-notch and classy entertainment. It's a move that fans of Sherlock Holmes and classic crime dramas will enjoy equally. (Heck, even if you're some sort of misguided moron who admires Nazis, you'll enjoy this flick. The ones in this story are smarter than the average bunch, be they fictional or real.)

Sherlock Sunday: Moriarty teams with up with the Nazis!

Sherlock Holmes and the Secret Weapon (1943)
Starring: Basil Rathbone, Nigel Bruce, Lionel Atwill, William Post Jr, Kaaren Verne and Dennis Hoey
Director: Roy William Neill
Rating: Seven of Ten Stars

Sherlock Holmes (Rathbone) is charged with rescuing a Swiss scientist (Post) and his revolutionary new bomb-sighting system from the Nazis and bringing him safely to England. However, when the scientist turns out to have too high an opinion of himself and his intelligence, and he falls into the hands of British Nazi agents, Holmes finds himself in race against his old nemesis Professor Moriarty (Atwill) to unlock a coded message that reveals where the prototype of the bomb-sight is hidden.



"Sherlock Holmes and the Secret Weapon" is the second of Universal's "Holmes vs. the Nazis" flick, and it is not only a fun Holmes adventure but a passable espionage thriller. The opening sequence where Holmes outsmarts the Gestapo agents who have crossed into Switzerland to kidnap genius inventor Franz Tobel is a great bit of filmmaker--and the only part of the film that stuck with me from the first time I saw this film at some point in the distant past. (I have no memory of watching this film before, but that opening bit, the revelation of Holmes, and the get-away was all very familiar to me.)

Like many movies of this type, the villains initially benefit from the fact that Holmes' charge may be a genius when it comes to inventing military hardware, but he's otherwise an idiot who ends up in Professor Moriarty's clutches because he had sneak out for a clandestine booty call and because of irrational demands placed on the British security forces regarding the production of his bomb sights. This is what leads to the race to decrypt the code. Apparently, Dr. Tobel is SUCH a genius that he knew the clandestine booty call was a bad idea, so he wrote a code he thought only Holmes would be able to help build his bomb sight should he come to a bad end. Too bad for Tobel that a man almost as part as Holmes is the one who grabbed him.



Speaking of Moriarity, Lionel Atwill gives an excellent performance as Holmes' evil opposite. The script writers also do a nice job of demonstrating his sinister genius by having him and Holmes discover the key to unlocking a particular complicated part of the code only by accident. (I suppose this means that neither are as smart as Tobel gave them credit for... but at least neither Holmes nor Moriarty would sneak out for booty calls while Nazi agents are prowling the streets looking for them.)

In some ways, actually, the film makes Moriarty out to be a bit smarter than Holmes in some ways, but ultimately too crazy to be as effective an evil genius as he might be. Twice during this picture, Holmes places himself completely at Moriarty's mercy, presumably assuming that the evil professor won't just kill him. A pretty stupid thing to do, and one that almost backfires at one point and leads to a more chilling portrayal of Moriarity than I've ever seen. Still, if he had just killed Holmes instead of being duped into killing him slowly (by Holmes playing off Moriarty's ego and sadism), he would have won the day AND the war for his Nazi paymasters.

Then again, if Moariarity had been as smart as Holmes, he wouldn't have teamed up with Nazi losers to begin with... and there wouldn't have been a movie.

"Sherlock Holmes and the Secret Weapon" is a film that you'll enjoy if you get a kick out of old-time thrillers and pulp-fiction style detective tales. Hardcore Holmes fans will probably mostly enjoy the film for it being a sequel of sorts to Doyle's "The Dancing Men" short story, but only if they aren't too annoyed by Holmes and Watson being transplanted to 1940s London instead of 1880s London. (And all of us will have to ignore the goofy looking hair-do on Holmes. I will have to get around to researching that. It is so stupid looking there HAS to be story behind it.)

Sherlock Sunday:Holmes against the Nazi Voice of Terror

Sherlock Holmes and the Voice of Terror (1942)
Starring: Basil Rathbone, Nigel Bruce, Henry Daniell, Thomas Gomez and Reginald Denny
Director: John Rawlins
Rating: Six of Ten Stars

As Hitler's armies devour mainland Europe, Sherlock Holmes and Dr. Watson (Rathbone and Bruce) are retained by British Intelligence to stop the activities of Nazi saboteurs being coordinated by the mysterious Voice of Terror in radio broadcasts that hijack the British airwaves once a week. Holmes soon comes to suspect that the broadcasts portent something far more sinister and dangerous than the horrific acts of terrorist... and that the enemy within England itself is more powerful than dreamed of in the worst nightmares.



Loosely based on Conan Doyle's "His Final Bow" (where Holmes came out of retirement to catch a German spy at the beginning of WW1) and the real-life Nazi propaganda broadcasts that overrode BBC signals during the early 1940s, "Sherlock Holmes and the Voice of Terror" is the first of a dozen Holmes movies starring Basil Rathbone and Nigel Bruce that transports the Great Detective and his loyal sidekick to modern day England. (Modern-day being the 1940s.)

Holmes' methods receive a slight upgrade--the key to unlocking the mystery behind how the Voice of Terror is able to coordinate the broadcasts and the sabotage involves analyzing different types of broadcast with cutting edge audio equipment--he trades in his deerstalking cap and tweed cape for an fedora and overcoat, and the speed of modern travel and communication also impacts the story, but overall the character of Holmes is as it's found in the pages of Doyle.

Although partly a war-time propaganda movie--the kind that I've lamented aren't made anymore, what with American filmmakers preferring to glorify those who would take away their freedom rather than those who defend it--with the patriotic speeches and dastardly Nazi villains that encompasses, the film sets the tone for most of the Universal efforts that will follow. Holmes is a renegade genius, Watson is a doddering moron that seems like he is going senile (even if he isn't quite as dimwitted here as he seems in later pictures), and the villains are of a stripe that would make even the worst of the worst that inhabited the pages of pulp fiction magazines in the 1930s give them a wide berth. But the stories are exciting and fun, so the bad treatment of Watson can be overlooked... as well as the absolutely rediculous hair style that Holmes sports in these early Universal films. (Transporting Holmes to modern-day was the idea of Basil Rathbone who felt the Victorian era was too old fashioned, so I wonder if he was also the genius behind that awful hair.)

While Watson as a ninny didn't originate with the Rathbone/Bruce pictures--there were hints of it as far back as the Arthur Wontner pictures--but it was these pictures that solidified the approach as "standard." The same is true of Holmes as nearly 100% hands-off as far as physical altercations go; when a brawl breaks out between Nazi agents and Limehouse ruffians hired by Holmes as muscle, you almost get the sense that Holmes is afraid to get in the middle of the fight. The Rathbone Holmes seems like he would never throw a punch but would instead leave it to others even in the most dire of situations, so it is with these films that the idea that a "action-oriented" Holmes isn't truthful to Doyle began.

The strong presence of these somewhat legacies aside in this film doesn't really harm the entertainment value, however. The story is too fast paced for anything but Holmes bad hair to distract from the fun, and excellent performances by the stars and supporting cast only made it that much better.


Basil Rathbone is excellent as always as Sherlock Holmes (even if I will always prefer Peter Cushing's portrayal) and Nigel Bruce is solid as the comic relief, perhaps even moreso than in future sequels as less of the humor is at the expense of his character than will become the norm. Other standout performances are delivered by Henry Daniell (who will return to the series again and again, as a different villainous character almost every time) and Reginald Denny as power-brokers in British Intelligence, either of which could be a double-agent and the Voice of Terror himself. Finally, Evelyn Ankers has a small but important part as a Limehouse bar girl who helps Holmes track the Voice of Terror's main operative for deeply personal reasons.

Universal started the film with a title card that described the character of Sherlock Holmes as timeless, a character that works equally well in his "native world" of late 19th century London or the "modern day" of the 1940s. This film, and the sequels that followed--several of which saw Holmes cross wits with Nazis and their agents--show this to be true. Heck, they even make a person wonder what Holmes might do with the Internet and modern science if he were to be transported to the PRESENT modern day.

Sherlock Sunday: Terror By Night

Terror By Night (1946)
Starring: Basil Rathbone, Nigel Bruce, Alan Mowbray and Dennis Hoey
Director: Roy William Neill
Rating: Eight of Ten Stars

When the diamond he was hired to protect is stolen and the son of its son is murdered right under the nose of Sherlock Holmes (Rathbone) and Inspector Lestrade (Hoey), as they travel by night train from London to Edinburgh. The great detective must solve a locked-room mystery and recover the diamond before the train reaches its destination to save both his reputation and that of Lestrade. To complicate matters even further, the nefarious Colonel Moran is on the train as well, possibly seeking revenge for Holmes causing the death of his associate, Professor Moriarty.


"Terror By Night" is a nice Holmes adventure that puts all the characters in a sealed environment with the killer and one that still manages to keep the mystery going strong up to the very end, even if there really is only one likely suspect from about halfway through the film (due to the way these things usually work out). However, it you're the kind of viewer like me who likes to play along in solving the case, the film is still entertaining once you've figured out the killer, there is still the question as to how he is going to get away with it.

Although briskly paced and well-acted, the film isn't perfect. I found myself wondering how the various villains on board the train were moving about unseen(something the film never did fully answer) and I further was unclear on why the second murder was committed, as it put Holmes on a direct path to solving the mystery. (Unless that was part of the master plan all along? Let Holmes get a victory that would facilitate his ultimate defeat? I'll have to watch the film again to see if maybe I missed something there.)

Nigel Bruce's Watson continues to be portrayed as just shy of a total idiot, although he has fewer opportunities to behave like a moron here, as he spends most of the film hanging out with an Army buddy who happens to be traveling on the train. Bruce is still the primary comic relief, but fewer jokes are at his character's expense than usual. Similarly, Holmes has fewer opportunities to mistreat Watson. One can actually believe they're friends in this picture.

"Terror By Night" is a fun, fast-paced Holmes adventure that shows why the Basil Rathbone films are celebrated by fans of classic mystery films and Holmes alike. It has nothing to do with the original Doyle tales, but it is a nice use of his characters.

Sherlock Sunday: The Woman in Green

The Woman in Green (1945)
Starring: Basil Rathbone, Nigel Bruce, Hillary Brooke, Henry Daniell and Matthew Boulton
Director: Roy William Neill
Rating: Six of Ten Stars

Inspector Gregson (Boulton) turns to Sherlock Holmes (Rathbone) for help in solving a series of grisly mutilation murders. Holmes soon discovers the murders are only part of a much larger criminal enterprise... and that his old foe Professor Moriarty (Daniell) may have returned to London.


"The Woman in Green" is not one of the best of the Universal Pictures' Holmes movies, but even so it's obvious why so many fans believe the Basil Rathbone Holmes is THE Holmes. Pains were taken to make Rathbone and the set of 221B Baker Street like living manifestations of the famous Sidney Paget illos from Strand Magazine and those efforts go along way to making this film fun to watch. Rathbone's Holmes is also very no-nonsense and task focused, always straight to the point; with the exception of his occasional ribbing of Watson, there is none of the humor present in so many other portrayals of Holmes.

But speaking of Watson, he is the weak point in this film, as he is in just about every one of the Holmes films from Universal. Nigel Bruce does a fine job as being comic relief as the bumbling, dimwitted Watson, but one continues to wonder why Holmes would keep him around, because he causes more problems than he solves. Is it just so Watson can pick up the tab for dinner now and then? Perhaps Watson is going senile, and Holmes keeps him around out of love and respect for the way he used to be? As excellent and accurate as the portrayal of Holmes in these films is when compared to the Doyle stories, Watson is completely off target.

The plot of the film is original, although there's an assassination attempt on Holmes that's taken from "The Empty House," and there's some dialogue that I think was lifted from "The Final Solution." Like the majority of the other Universal Holmes films, the characters were transported to modern times (which means the 1940s), but this doesn't seem to harm them in any way. If anything, it enhances the characterization of Holmes, because it forced the costumers to ditch the ludicrously out-of-place tweed coat and deerstalker hat that so many filmmakers insist on making the character wear even while in the city.






"The Woman in Green" is one of several Holmes movies that slipped into public domain when the copyright wasn't properly renewed during the 1970s. It's available in a number of value packs (taken from copies of varying quality), but if you want to have the best image quality possible, you want to get "The Sherlock Holmes Collection, Vol. 3," which includes an excellent restoration. The other collection linked to is recommended due to its low price and the fact that you get three Rathbone films and three films starring Arthur Wontner as Holmes.