'The Prestige' is a tale of trickery and obsession

The Prestige (2006)
Starring: Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johannson, David Bowie, and Piper Perabo
Director: Christopher Nolan
Rating: Eight of Ten Stars

From the time that they first met as young magicians on the rise, Robert Angier (Jackman) and Alfred Borden (Bale) were competitors. However, their friendly competition evolves into a bitter rivalry making them fierce enemies-for-life. When Borden invents what seems to be the ultimate magic trick, Angier embarks on an obsessive quest to find its secret, over the advice of his longtime associate Cutter (Caine). Eventually, he finds his way to Nikola Tesla (Bowie) and discovers the means to best his rival once and for all.


"The Prestige" is a brilliantly constructed movie that manages to tell its story in flashbacks nestled in flashbacks within flashbacks, yet the viewer never loses track of what is going on in the film. It also manages to present a cast of characters that both seem intimately familiar to the viewer as the film progresses, and who turn out to be very different than what we thought when their secrets are revealed, while evoking the sense of the late 19th century music hall circuit and the intense competiton that existed between performers for bookings.

Although the film exists mostly within the realm of the realistic, it is at its best when it introduces the weird science of Nikola Tesla--and the fantastic and twisted applications it is put to in persuit of creating the ultimate illusion. In fact, one of the film's "big reveals" that make up the climax is so twisted, and the nature of Tesla's wonder-tech so strange that I almost put this review in Terror Titans instead of here. Ultimately, though, I think it fits mostly in the mystery movie category, even if it almost defies classification.

'Insomnia' is worth staying awake for

Insomnia (2002)
Starring: Al Pacino, Robin Williams, and Hillary Swank
Director: Chrstopher Nolan
Rating: Six of Ten Stars

In "Insomnia", a big city cop (Pacino) travels to a remote hamlet in Alaska to help solve the brutal rape and murder of a teenaged girl, and to avoid a brewing corruption scandal at home. While his mental state slowly deteriorates due to an inability to sleep in the eternal daylight above the Arctic Circle, he finds himself in a bizarre relationship of mutual blackmailing with the murderer (Williams) while the town's young deputy sheriff (Swank) slowly puts the puzzle together and closes in on both of them.


"Insomnia" is an American remake of a Scandinavian film by the same title, and, unlike the seemingly endless stream of remakes of recent Japanese and Chinese films that are all worse than the originals, this film stands up nicely in comparison. It's a tad too slow--the middle sags almost as bad as the Pacino character on this fourth or fifth day without any real sleep--but the actors are all great in their parts, the script is generally well-crafted, the setting is used to its full potential, and the ending is perfect.

I think people who enjoy thrillers will be happy staying up late to watch "Insomina".

'Batman Begins' is a great new start

Batman Begins (2005)
Starring: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Cillian Murphy, and Gary Oldman
Director: Christopher Nolan
Rating: Nine of Ten Stars

Bruce Wayne (Bale) returns to Gotham City after spending several years under the tutalage of Henri Ducat (Neeson), a member of an order of martial artists that claim to be devoted destruction of corruption and criminals using any available means. Wayne proceeds to put the skills he has learned, his family fortune, and his access to the applied sciences department of the family company to create Batman, a second identity through which he hopes to avenge the murder of his parents and bring law and justice to corrupt Gotham. Aided by the faithful family butler, Alfred (Caine) and one of the few honest cops in the city, Jim Gordon (Oldman), Batman takes on the powerful Falcone crime syndicate and a strange plot being orchestrated by Dr. Jonathan Crane of Arkham Asylum (Murphy).


I avoided seeing this movie for a long time, because it's been at least ten years since I've read an issue of the monthly "Batman" comic I liked (some of the graphic novels and spin-off miniseries have been spectacular, but the core titles have not been anywhere near to the Batman stories I enjoy) and because other Batman movies from the last 20 or so years have been beyond bad. I was also afraid that this movie might be as drab as the "Batman: Year One" story from Frank Miller.

I am glad that I finally decided to heed the rave reviews of friends and take a look at it. It's an excellent chronicle of Bruce Wayne's start as Batman that manages to incorporate some of Batman's most terrifying foes in a sensible way--R'as Al-Guhl and the Scarecrow--and weaves an excellent thread about the power of fear through the film. The use and portrayal of Jim Gordon is in line with how the character has been used in comics like "Gordon of Gotham" and even "Batman: Year One" (Gordon's portrayal was one of the better aspects of that storyline). The treatment of Alfred was also excellent, and it was great to see Lucius Fox (played by Morgan Freeman) make an big-screen appearance. And then there's the Batmobile; the one in this movie has got to be the funkiest, funnest Batmobile that will ever appear on screen!

The acting was great all around, although I think Cillian Murphy was somewhat miscast as Jonathan Crane, because he's too young for the part; his performance was otherwise excellent. (I wonder if Oldman might not have made a better Crane, despite the fact he was a fine Jim Gordon.)

Finally, Gotham City looked better than it has any of the previous Batman movies; it actually seemed like a real city instead of a movie set or a model.

"Batman Begins" is a great action flick and perhaps the best screen adaptation of Batman so far. It stays loyal to the best aspects of the comic books while telling a unique story.

Moore becomes Bond in 'Live and Let Die'

Live and Let Die (1973)
Starring: Roger Moore, Jane Seymour, Yaphet Kotto, and Geoffrey Holder
Director: Guy Hamilton
Rating: Eight of Ten Stars

British secret agent James Bond (Moore) is dispatched to find and eliminate the leak that's caused the death of several of Her Majesty's secret agents in the Americas. He soon finds himself pitted against Mr. Big (Kotto), a powerful drug lord who has more than just thugs and weapons at his disposal: He is allied with a sexy Tarot-reading psychic (Seymore) and draws upon the seemingly very real voodoo powers of Baron Samdei himself (Holder)!


With "Live and Let Die", Guy Hamilton helmed yet another of my favorite James Bond movies. It's a little darker than most, the horror/ overtones are incorporated with great skill into the high-tech world super-spy world of Bond, and it's got one of the all-time classic Bond chases that has all the humor, action, suspense, and stunts that we've come to expect. It also delivers one of the most interesting Bond Girls to appear in the series, the may-or-may-not-be psychic, Solitaire. For final icing on the cake, the usual Bond-with-the-girl denouement even has a little bit of a horror twist to it.

Acting-wise, I think everyone made a fine show of themselves, even if I would have liked to see more of Seymour as Solitaire(in both senses of that). I also prefer the somewhat grimmer portrayal of Bond that Moore gives here than the increasingly good-humor-glint-in-eye Bond that we get in later films; it really seemed more in keeping with the character. In fact, that the humor was kept somewhat restrained in this film compared to the Roger Moore vehicles that were to come is one of the reasons this movies is so effective.

When Spies, Lies, and Morons Collide....

Burn After Reading (2008)
Starring: George Clooney, Frances McDormand, John Malkovich, Brad Pitt, Tilda Swinton, Richard Jenkins, David Rache, and J.K. Simmons
Directors: Ethan Coen and Joel Coen
Rating: Seven of Ten Stars

When a pair of dimwitted health club employees (McDormand and Pitt) find what they believe is a disk full of highly classified CIA secrets, their get-rich-quick efforts set in motion a series of events that shows that no one causes chaos like the very stupid.



"Burn After Reading" is a movie about hopes, dreams, lies, deception, and betrayal. It's got all the elements you find in spy movies, but they're found here in a story of cheating spouses--half the characters in the film are breaking their marriage vows spectacularly--a burned-out CIA analyst (played by John Malkovich), and the people at the CIA who are so concerned with secrecy that they can't take the simple step of asking "what the hell are you morons doing?"

The purposefully tangled mess that is the movie's plot gains its comedy from the fact that the smartest people in the world can't figure out what a pair of doofus are up to (nor the real causes for the events they set in motion) and it's a source it taps very well.

Hilarious performances by Brad Pitt as the dumbest health fanatic ever, George Clooney as the horniest government employee ever, and Tilda Swinson as a woman so bitchy no-one even dares to imply she's bitchy stand out in particular in this perfectly cast and skillfully acted and directed film. If you liked movies like "Fargo" and "Kiss Kiss, Bang Bang", you'll get a kick out of this one as well. It's not quite as good as either of those two films, but it's still fun.

'Our Man Flint' kicks Austin Powers' ass

Our Man Flint (1966)
Starring: James Coburn, Lee J. Cobb, and Gila Golan
Director: Daniel Mann
Rating: Eight of Ten Stars

When the world is threatened by a mysterious cabal who has the abilit to trigger natural disasters at will, only super-spy Derek Flint (Coburn) can save it. But will even his mastery of karate, fencing, bio-chemistry, world cuisne, and countless dance styles; his trick lighter with 80+ functions and weapons; his complete mastery of all his bodily functions; and his powers of seduction be enough to overcome the sinister briliance and beauty of his female counterpart (Golan)?


"Our Man Flint" is a hilarous spy comedy that derives its laughs from the fact that it's played completely straight (unlike "Austin Powers: International Man of Mystery" and its progressively worse sequels, which goes out of their way to be goofy). Flint is an outrageously over-the-top James Bond-type character who can do pretty much everything, and who knows everything, but who is so perfect that he will humbly say that there are many things he doesn't know. His "man-of-peace" attitude (until his friends and acquaintances are threatened), gentlemanly nature combined with his swingin' Sixties lifestyle (with his super-bachelor pad and four live-in girlfriends/personal assistants) make him an even more interesting and funny character.


The storyline is fast-paced, the jokes are funny, and the story is fun, flippant super-spy fare. I think lovers of comedy and James Bond-style spy movies will something to like about "Our Man Flint."

'Find Me Guilty' is an unusual mob movie

Find Me Guilty (2006)
Starring: Vin Diesel, Peter Dinklage, Ron Silver, and Alex Rocco
Director: Sidney Lumet
Rating: Seven of Ten Stars

When life-long gangster Jackie Dinorsio (Diesel) is offered a chance to escape a 30-year prison sentence by turning state's evidence against his former Lucchesi Crime Family associates, he refuses to turn on those he considers his friends. Instead, he turns the biggest organized crime trial in American history into a vehicle to express his view of family values within the Family.


I like lawyer/court room movies. I like Vin Diesel, and I really liked him in "The Pacifier". I walked into "Find Me Guilty" really wanting to like the movie alot. Unfortunately, I found it a little lacking.

Some critics have complained that the movie turns morality upside down--the mobsters are basically the good guys here (with one exception--mob boss Nick Calabrese, played by Alex Rocco), while the federal prosecutor is a complete rat bastard--but I really didn't mind this aspect of the film, because the character of Jackie Dinorsio is the point of view from which the story is told, and he is truly convinced that all his criminal associates truly are "good fellas." The weakest point in the movie to my mind was the lead prosecutor was portrayed as so over-the-top that he brought down the rest of the movie. (Why did he have prison guards harass and beat up Dinorsio on the night before the Big Final Trial Witness was to appear in court?) Every other lawyer portrayed seemed believable, but the prosecutor did not. (Being that "Find Me Guilty" is based on the real-life 21-month RICO trial of a dozen or so New Jersey mobsters, perhaps the real-life prosecutor really was such a over-dramatic jerk... but he should have been toned down, because he was out of step with the rest of the performances in the film.)

"Find Me Guilty" is definitely Vin Diesel's show, and he manages to truly get the audience to feel sympathy for the wise-cracking Dinorsio, who, in the face of all the facts around him, continue to cling to his notion that there truly is love and respect shared between mobsters. To the very end, Dinorsio hangs onto this idea and continues to espouse it as he mounts a defense of himself and his buddies as his own attorney. In fact, the only friends that Dinorsio seems to have is the lead mob attorney (expertly played by Peter Dinklage) and the presiding judge (Ron Silver) who seems to develop some affection for Dinorsio as the trail unfolds; but Dinorsio never notices. If he does, he doesn't let it show.

There are plenty of chuckles in "Find Me Guilty", but I would have liked for more belly-laughs in the film. I recommend it if you enjoy mob movies or court-room dramas. I don't think it's a great movie, but I think my time watching it was well-spent.