When Harry Met Affirmative Action

The Enforcer (1976)
Starring: Clint Eastwood and Tyne Daly
Director: James Fargo
Rating: Nine of Ten Stars

When a terrorist group attempts to blackmail San Francisco with bombings, murders, and ultimately by kidnapping the mayor, even the unorthodox methods of Police Inspector Harry Callahan (Eastwood) might not be enough to overcome both the bad guys and the touchy-feely approach of the "new" San-Fran city government.


In "The Enforcer", the real-world San Francisco finally seems to catch up with Dirty Harry, as he spends as much time fighting against style-over-substance politics as he does tracking down the villains. Although the bad guys here are not up to the standards set by the first two movies--they may be more violent, but they're no where near as sinister--this movie is a vast improvement over "Magnum Force", not only because it actually has a well-focused storyline, but also because the character of Harry comes off as multi-faceted... and, for that matter, a true believer in justice and equality. From his interactions with black militants to his approach to his new female partner (Daly) who has been foisted on him in the name of women's-lib, Harry shows a constant willingness to accept anyone who proves themselves worthy of his trust and respect.

Like previous "Dirty Harry" movies, this film is blessed with excellent camera work and a great cast. In addition, the script is excellent, with the rookie homicide detective who gets promoted just because she's a woman, but who shows she definitely has the chops, being a great character (as well as a source of some of the film's more humorous moments.) What's more, out of all the films in the series, this is the one where Harry Callahan comes across the strongest and most likable. This is why the film has one of the saddest endings I think I've ever seen to a cop drama.

So, despite somewhat weakly realized foes for our gun-toting, morally unbendable homicide detective, "The Enforcer" stands as the second-best film in the "Dirty Harry" series.

The first great 'Rizzoli and Isles' episode

Rizolli and Isles 1.7: Born to Run (2010)
Starring: Angie Harmon, Sasha Alexander, Bruce McGill, Lee Thompson Young, and Jordan Bridges
Director: Matthew Penn
Rating: Eight of Ten Star

Seven episodes in, TNT's new detective show "Rizzoli and Isles" finally delivers something new and unpredictable with "Born to Run," the episode that aired on August 23. They've come closest to excellence previously with "The Boston Strangler Redux" on July 19, but the series debut episode--which started in an odd sort of in medias res place with Rizzoli being haunted by a serial killer who almost cost her life and who scarred her both physically and mentally--and the other ones so far have all had a been-there, seen-that feel to them. Which is a shame, because this show has a great cast.


"Rizzoli and Isles" centers on a tomboyish, tough-as-nails homicide detective from a working-class Italian background (Harmon) and an overly bookish, somewhat socially maladjusted coroner of an upper-crust, Boston First Family background (Alexander), co-workers and best friends despite their different personalities. They are supported by a great collection of actors with been-around-forever Bruce McGill being particularly fun as a gruff veteran detective and Rizzoli's ex-partner who's caused so much trouble that he's on permanent desk assignment.

For the most part, the show plays as an inferior copy of Fox's long-running "Bones," with the odd couple of Rizzoli and Isles being an almost direct rip-off of Boothe and Bones from the other show. The main difference here is that the focus is mostly on the police work, with Isle's lab activities being about as central as Quincy's lab work as on that show. However, the way Rizzoli's family plays into the story lines adds a slightly different flavor to the show... not quite enough to bring it out of the shadow of "Bones," but enough to make it somewhat distinct.

Perhaps if I were familiar with the Jane Rizzoli-starring novels the series is based upon, the differences between this show and "Bones" would be more evident. But a good adaptation means I should be able to come to the series with no prior knowledge whatsoever. And coming to it cold, the show mostly feels like a run-of-the-mill detective show that's copying "Bones" and trying to sell itself on the fact it's got two women as its main characters. For the most part, this hasn't been enough for me. And I was about to give up on the show.


With episode #7, however, the writers finally delivered an episode that wasn't predictable and that didn't make me think of "Bones" every five minutes. In "Born to Run," Rizzoli is badgered by Isles into signing up for the Boston Marathon, so the two can something together as friends. This being a cop show, a couple of runners get shot, and Rizzoli must solve the mystery while trying to keep the shootings secret in order to prevent a mass panic. The story was unpredictable, the setting was unusual, and the way the various characters worked to solve the crime on many different levels, both police-wise and management-wise, was very nicely done. The red herrings subtly tossed into the mix were also nicely executed; I thought I knew who the killers were because of them, but thankfully I was wrong. I also appreciated the way Rizzoli's family played into the story... they emerged as characters rather than just flavoring in this episode.

I'm going to give "Rizzoli and Isles" a few more episodes before I make up my mind. It would be nice to see Angie Harmon in a new series that lasts more than a couple of seasons. She's an interesting and quirky actress who deserves a higher profile than the one she currently enjoys. It's also nice to see Sasha Alexander again... I enjoyed her very much on "N.C.I.S."

"Rizzoli and Isles" currently airs on TNT on Monday nights, with a second airing on Tuesdays.

'The Silencers' is a fun spy spoof

The Silencers (1966)
Starring: Dean Martin, Stella Stevens, Daliah Lavi, Victor Buono, and James Gregory
Director: Henry Levin
Rating: Seven of Ten Stars

Retired secret agent turned fashion photographer Matt Helm (Martin) is coaxed out of retirement by his sexy former partner (Lavi) to help find the mole who has been feeding information to the enemy, and to stop a nefarious scheme to start World War III.

"The Silencers" is one of the films that Mike Meyers was trying to copy/spoof with his Austin Powers films, itself a tongue-in-cheek spoof of the James Bond series... as well as Dean Martin's image as a hard drinker and a womanizer. Of course, a sure-fire way to make an inferior picture is to attempt to spoof a spoof, so it's not surprising that this movie is superior to anything Meyers attempted in every way. (Except Dr. Evil and the various characters in his orbit. Dr. Evil is Meyers' singular great creation.)

If you have a high tolerance for slapstick spy antics, a steady stream of off-color jokes and puns, dream sequences narrated by a singing Dean Martin, and 1960s-style sexism and swingin' life styles, you'll enjoy this film. You'll enjoy it even more, because in addition to being a fun comedy, it's got a well-crafted script at its core that offers a few genuinely surprising twists and even more startling and well-timed moments that many serious spy movies can't match.

And then there's the fact that Matt Helm is probably the only spy in the world who has a tricked-out station wagon that converts to a love-nest on wheels, complete with mini-bar.

The cast is also amusing to watch, with Dean Martin excelling in the part of the reluctant hero who would rather be at home enjoying his models, sexy personal assistant, and hi-tech bachelor's pad; Daliah Lavi as a sexy secret agent that gives some of the best Bond Girls a run for their money; and Stella Stevens as the clumsiest femme fatale to ever bumble her way across the screen. Victor Buono also manages to strike a nice balance between creepy and outrageous as an overweight Fu Manchu-style villainous mastermind.

"The Silencers" is available on DVD along with the other three Matt Helm movies from the 1960s. Check them out, in time for the character's return to film in 2011.

'New York Blood' is a decent no-budget film

New York Blood (2009)
Starring: Vinnie Stigma and Marvin W. Schwartz
Director: Nick Oddo
Rating: Five of Ten Stars

New York gangster Vinny (Stigma) tries to help his psychotic father (Schwartz) when he is released from prison for murder. Instead, the old man's blood-thirsty, violent ways ends up destroying Vinny's little kingdom of prostitution and drug dealing.


"New York Blood" is an ultra-low budget movie with the running-time and pacing of an hour-long television drama. Writer/director Nick Oddo created a movie that has some of the typical flaws seen in films at this production level, but for the most part it's superior to most other films you'll come across that were made for $4,000. It's also a decent gangster movie that's populated with characters that come across as real.

The biggest budget-related production flaws that "New York Blood" displays--here it's mostly bad sound, as it seems either the microphone on the camera itself was used, or a single mic on one actor in each scene was used to pick up the dialogue from all actors and no (if any) post-production looping took place. Otherwise, the film is well-lit, well-staged, and well-paced, with not a single scrap of padding anywhere to be found. The only other annoying flaw--and this may be nitpicking--was the strangely loose bandage on the face of a girl who had supposedly been cut up by a psychopath. Could whoever was doubling as propmaster and/or costumer not have applied a little extra glue to the surgical tape so it would stick to the girl's make-up? Even a dab of Elmer's Glue would have been better than the distracting, flapping tape in the scene.

The acting here is also better than what is usually found in films at this level, or, rather, Oddo managed to hide the short-comings of his cast of mostly first-time and one-time movie actors. First, none of the weaker actors are called upon to carry any significant scenes--Oddo was very wise in casting and editing choices. Second, the film has the feel of a documentary and/or a "reality show" to the point where Vinny addresses the camera with comments about what he is doing--so it works that a few characters feel a little stiff. Unfortunately, Oddo doesn't keep this documentary tone consistently through the picture, choosing to break from it by showing Lorenzo committing his gory murders. While I understand why Oddo wanted to get some violence into his flick, the way he did it undermines the best aspect of the film.

Still, there are filmmakers who spend ten times what Oddo spent on his movie that don't make them this good. If you like gangster movies, I think you would do well to check it out.

Bad management can lead to the most unexpected of problems

Scorched (2002)
Starring: John Cleese, Paulo Costanzo, Rachael Leigh Cook, Woody Harrelson, Joshua Leonard, Alicia Silverstone, and Marcus Thomas.
Rating: Seven of Ten Stars

Three tellers at a small branch office bank (Costanzo, Harrelson,and Silverstone), each with their own reasons for feeling disgruntled and put-upon decide independently to rob their employeer. Each has their own plan, each intends to target a different part of the bank, and each chooses to commit their larceny on the same weekend. And that's when things start getting really crazy.


This ensamble comedy features a strong cast (more comment on this below) and likable characters that move back and forth through four overlapping storylines--the three heists and a fourth involving a pair of geeky roommates who are trying to land one of them a job he can keep for more than a couple of hours. It also features a surprsingly tense roulette scene during one of the larcenous tellers' trip to Vegas. Some of the lines are a bit clunky and there are one or two scenes that could do with some punching up, but overall this film is pretty darn good and extremely entertaining.

I also think it's a film old-school roleplaying gamers might enjoy. Several of the film's characters are in a D&D gaming group, and I think we all might recognize some of the character types at the table. Cook's character is a particularly cute parody of the 'gamer chick.'

Speaking of Rachel Leigh Cook, it's probably a good thing that she and Alicia Silverstone don't actually share any scenes. I've never been a big fan of Silverstone, but seeing her in a film with an actress that is so full of charm and energy makes me feel even more underwhelmed by her talent and screen presence. While both actresses did a fine job, I think it is probably a casting mistake to put them in the movie; it makes Silverstone look bad.

Sylvester Stallone interview

I'm closing out "The Expendables Week" not with a review, but with a clip from the O'Reilly Factor featuring an interview with Sylvester Stallone. In it, Stallone responds in part to an absolutely idiotic and hyper-political review by an LA Times film critic who should be ashamed that he even wrote it.

You can read the article by Steven Zeitchik by clicking here, or you can consider the fact that he is so ignorant and ill-equipped as a commentator that he thinks JCVD belongs on a list of action movies and is a "post-modern wink" at the action genre, and perhaps save yourself the time.

But check out the Stallone interview. It's funny.



Click here for a list of the movies reviewed during "The Expendables Week," and more.

'Crank' is chaotic but not all that exciting

Crank (2006)
Starring: Jason Statham, Amy Smart, Jose Pablo Cantillo, Dwight Yoakam, Efren Ramirez, and Carlos Sanz
Directors: Mark Neveldine and Brian Taylor
Rating: Five of Ten Stars

Professional hit man Chev Chelios (Statham) wakes up to discover that he has himself has been the target of an assassination: He has been poisoned with a slow-acting drug that will kill him if his hear-rate drops. In order to survive long enough to reach the doctor who might save him (Yoakam), he goes on a chaotic rampage across Los Angeles to keep his blood pumping and adrenaline flowing.


"Crank" may be a case of "too much of a good thing." I found the first 45 minutes or so of Chev's quest to stay alive at least long enough to kill those who killed him very amusing and very entertaining. It was a little like the classic "D.O.A." but on speedballs and a gallon of coffee. Statham has many amusing one-liners, and the situation his character is in is both funny and nightmarish in the way it's presented.

But then I started looking at the clock and wondering if the film wouldn't get to some sort of point.

Basically, this is a one-gag story, and the gag starts to wear pretty thin after the third time Chev almost dies and needs to find some other way to keep his excitement up. Yes, there are laughs and plenty of action... but there is no substance. Like the video games the film references on several occassions--characters are playing them, doors are decorated with icons from them--the film keeps looping through the same type of encounters and situations but on different "levels". This is great if you're actually the one playing a video game, but not terribly interesting if you're just watching, as I was with this movie.

I do applaud the filmmakers for creating a film that unfolds like a video game, even if I wish there had been more substance to it, and even if I don't particularly care for the nonsensical, dreamlike ending. It's out of step with the rest of the movie, and fails to take advantage of the ending that was pefectly set up. I suppose they were trying to avoid the pat and obvious "happy ending," but I would have appreciated it.

On the other hand, there is a sequel to this film, featuring Statham, as improbably as that seems given the film's final moments. Maybe the ending I thought was being set up was the actual ending and the dreamlike stuff was just a dream.

So... as much as I don't like the ending, and as much as I wanted "Crank" to bring more than it does--or wanted it to be about 15 minutes shorter--I will probably been seekig out the sequel. I enjoyed it enough that I am curious to see what happens next.